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- Use izotope insight to measure itunes and spotify pro#
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This is mainly due to each platform having different LUF limits. When mastering, it is critical to take into account of what kind of platform the mix will be uploaded on. This chances how the loudness is perceived when listening to a track. This is because most online platforms have a normalisation process which makes the music playback at a consistent volume. Since 2006 Steve Boyett has produced two music podcasts, Podrunner (workout music mixes) and Groovelectric (electronic dance music with funk roots).Tracks will sound different when uploaded onto different platforms.
Use izotope insight to measure itunes and spotify code#
I code the feeds manually, because I’m dumb like that. That said, I believe strongly in podcasters hosting their own feeds, and Podrunner and Groovelectric’s RSS feeds are on their respective websites. With Groovelectric, I occasionally do exclusive mixes for newsletter subscribers. It has direct MP3 links, player links, background info, a Donate button, and whatever else I think will inform or entertain my listeners. A new one goes out every time a new episode goes online. It’s super cheap but it’s a pain to set up.
Use izotope insight to measure itunes and spotify pro#
I distribute them using EasySendy Pro and an Amazon Web Services account. I still use Dreamweaver 8 (!) to compose and edit my Podrunner and Groovelectric newsletters.
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Use izotope insight to measure itunes and spotify free#
The accordions were designed using DW Accordions for Dreamweaver from Extend Studios (the app is free now!). Expandable accordions seemed to be a great option, and since WordPress was very clunky for that and I’m much more conversant with HTML than PHP, I designed and maintain both websites using Website X5 Pro. I have a large and evergreen inventory that needs a space-saving solution. I monitor with Event Project Studio 6 studio monitors and an M-Audio BX10s subwoofer, though I don’t use them very often anymore. After that I process using chained Waves C1 Gate Stereo, DeEsser, DeBreath, and 元 Multimaximizer plugins with presets tweaked to suit my voice and environment. I record each episode’s two-minute intro using Sound Forge Pro with a Shure SM7B microphone plugged into an SE Electronics DM1 Dynamite mic preamp (I recommend it over the more commonly paired Cloudlifter) and mounted on a Rode PSA-1 swing-arm a Focusrite Scarlett 2i4 audio interface and Ultrasone HFI-700 headphones.īecause my studio is in a high-ceilinged structure, I can’t avoid a certain amount of reverb without building a booth, so I treat my unprocessed vocal with Izotope RX7 De-Reverb, which is friggin magic.
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It ain’t cheap, but it’s incredible.) Vocal Recording
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(I keep meaning to get the version meant for audiobook recording. For most podcasters, I highly recommend Hindenberg Journalist - it’s a beautifully designed, flexible, and powerful recording application. I should point out that I do a lot of music recording and editing, and Sound Forge was designed specifically for post-production. (Fill this in now you won’t lose your place!)